갤러리뷰
1. 기본 갤러리뷰
- pc 4칼럼 / 모바일 2칼럼
2. 오버랩 갤러리뷰 (오렌지 콜아웃)
- pc 4칼럼 / 모바일 2칼럼
3. 원형 카드형 갤러리뷰 (보라색 콜아웃)
- 슬라이드 기능
- h1, 텍스트 seo 본문 숨김
4. 기본 카드형 + 속성 투명 (초록색 콜아웃)
- 6칼럼, 설명 숨김

France
5 Galleries
The unrivaled epicenter of Western art, where the legacy of the Louvre meets the avant-garde spirit of the Centre Pompidou.

Austria
2 Galleries
A city defined by the Golden Era of Klimt and the majestic halls of the Kunsthistorisches Museum.

Spain
1 Gallery
A prestigious stronghold of European heritage, where the timeless mastery of the Prado intersects with the profound modernism of the Reina Sofía.

USA
2 Galleries
New York City stands as a premier global art capital, where historic legacies and contemporary visions converge through its world-class museums and vibrant creative energy.
5. 세로형 대형 슬라이드 배너 (노란색 콜아웃)
- 헤드 배너활용
- 슬라이드 기능
- h1, 텍스트 seo 본문 숨김
ART CURATION
From Impressionism to Contemporary Art: Curated online collections and a guide to the world’s most iconic art cities.

Vincent van Gogh: The Self-Portraits
A record of self-portraits capturing his artistic evolution.

Claude Monet: The Water Lilies
The ripples of Monet’s garden scattered across global museums.

Monet’s Rouen Cathedral: Variations of Light
The same subject, ten thousand colors—Impressionism’s greatest experiment in tracking the shifts of light.

Chaïm Soutine: The Village Series
The twisted landscapes of Céret: 9 masterpieces born from Soutine’s inner turmoil.

Edgar Degas: The Ballet Class Series
A masterclass in capturing the unvarnished reality and fleeting movements of dancers behind the scenes.
6. 카드형 슬라이드 갤러리 / 중간 사이즈 (파란색 콜아웃)
- 뮤지엄 상세페이지의 작품
- 핵심 도시의 핵심 뮤지엄 설명 활용
- 슬라이드 기능
1914–1926
Claude Monet
Location📍
A monumental set of eight compositions designed as a unique environment in two elliptical rooms. Gifted to the French State as a symbol of peace after the 1918 Armistice, it is described as the "Sistine Chapel of Impressionism.”
c 1923
Chaïm Soutine
Location📍
Le Village is considered the most radical and unusual of Chaim Soutine's landscapes. While the subject—comprising houses, trees, and the sky—appears classical, the treatment reveals a tormented character and an affirmation of great modernity. Soutine dramatically distorted and intertwined every element, effectively eliminating any traditional sense of perspective or balance. This "mental landscape" eclipses the strict observation of nature to make way for a profound expression of feeling. Despite its distorted appearance, the painting is modeled after a real location: La Basse Gaude, a village near Cagnes. This work belongs to a series of nine paintings produced in 1923-1924, featuring houses and a mill clinging to a rocky hillside at varying heights. Soutine created this piece during a period of emotional contradiction; in late 1923, he wrote to the Parisian gallery owner Zborowski, "I would like to leave Cagnes. This landscape that I can no longer stand..." This anguished and subjective reinterpretation of his environment firmly places Soutine within the Expressionist tradition that was particularly marked before and after the First World War.
1922–1923
Chaïm Soutine
Location📍
This portrait of a pastry cook marked a decisive moment in Chaïm Soutine’s career. In 1923, after Paul Guillaume acquired a version of the subject—now in the Barnes Foundation Collection—it was immediately hailed by Albert Barnes as "a peach!", transforming Soutine overnight into a recognized hero of Montparnasse. Soutine produced six versions of this same subject that are known today. Likely inspired by Jean Fouquet’s Portrait of Charles VII in the Louvre, the model’s pose—featuring an elongated face, fragile neck, and distorted features—exudes a strong expressive power. The flat, vivid red of the cloth creates a striking contrast against the white jacket rendered with touches of grey and green. Paul Guillaume purchased this exceptionally accomplished version in the early 1930s as a tribute to the first "Pastry Cook" that he had liked so much. This painting is now held in the Musée de l’Orangerie, preserving the legacy of the work that so significantly changed Soutine’s fortunes.
1917
Henri Matisse
Location📍
This portrait of three sisters is one of Henri Matisse's masterworks, featuring three young brunettes seated before a bistre background. While two of the young women look out at the viewer, the third is absorbed in her reading, showcasing their different attitudes. The painter successfully creates a perfect balance between seemingly incompatible elements, such as discordant colors and the impression of juxtaposed levels of perspective. The work was inspired by multiple sources, including Manet's paintings, Japanese engraving, and the painting Les dames de Gand (The Three Gand Ladies) conserved at the Louvre, which was attributed to Jacques-Louis David at the time. Matisse's interest in this subject was expressed many times, leading to several versions; notably, three other paintings of the three sisters are conserved at the Barnes Foundation in Philadelphia. This particular version in the Musée de l'Orangerie was one of the few works Paul Guillaume purchased at a public sale. It is highly likely he acquired it in memory of the other paintings of the sisters he had previously ceded to Doctor Barnes while helping build his collection.
7. 가로형 갤러리
- 이벤트 또는 큐레이팅 게시물 활용
컬렉션검색바

A record of self-portraits capturing his artistic evolution.

The ripples of Monet’s garden scattered across global museums.

A masterclass in capturing the unvarnished reality and fleeting movements of dancers behind the scenes.

The same subject, ten thousand colors—Impressionism’s greatest experiment in tracking the shifts of light.

The twisted landscapes of Céret: 9 masterpieces born from Soutine’s inner turmoil.










